“Marissa writes really catchy songs that draw you in with the melody, but keep you with the smart lyrics. Ever since I heard her for the first time, I wanted to hear more.”Lisa Loeb [Grammy-nominated Singer/Songwriter]

“Fifteen years ago, I was a clueless adolescent who would only admit to liking obscure hardcore-screamo bands. In secret, however, I was listening to an all-but-lost genre, which I'll call “alternative dream jangle pop.” I'm talking No Doubt, Veruca Salt, Belly...you know, girls with cute voices pretending to be punk and singing about boys. Local singer-songwriter Marissa Levy channels this forgotten genre with a voice that absolutely redefines "cute" and is uncannily reminiscent of Kay Hanley of Letters to Cleo. Take a step back into the mid-nineties, sans teen angst, as Marissa celebrates the release of her new CD, 63 Songs About Joe. ”Melissa Regan [BeaconPass NYC]

“At a time when over-the-top vocal gymnastics have become the norm, Marissa comes along with a refreshing change of pace - beautifully crafted pop melodies sung with a beautiful pop voice.”Danny Weinkauf [Grammy-Winning musician, worked with TMBG, Fountains of Wayne, and Candy Butchers]

Marissa Levy’s music is the sound of introspection with a wink—a clever collision of heartbreak, humor, and hooks so sharp they could puncture the sky. A singer-songwriter hailing from Lewes, Delaware (by way of Brooklyn, where ambition wears skinny jeans), she wields a big voice, lyrical dexterity, and melodies that could sweet-talk their way into any jukebox.Her career started the way all good stories do: grinding it out at gigs while attending NYU, where her voice found its way into rooms shared by the likes of Matt Nathanson, Gavin DeGraw, Lisa Loeb, and Ron Pope. Her first two albums, produced by David Perlick Molinari (aka the alchemist behind Deirdre and the Dark, Savoir Adore, and French Horn Rebellion), established her as an artist who could wrap raw emotion in sonic confectionery. But it was her third album, 63 Songs About Joe—crafted with Mike Viola (the maestro behind That Thing You Do! and the guy who basically invented wistful power pop)—that turned heads, earned airplay, and proved she could weave universal truths out of personal narratives.Marissa’s latest effort, Marissa Levy is Fine (a title as slyly self-aware as the music it contains), finds her co-producing alongside Cliff Hillis (The Orchestra, Patty Smyth) and Ritchie Rubini (The Caulfields). It’s a record that feels like a long drive with your best friend—a little laughter, a little soul-searching, and a playlist you never want to end.If her songs sound familiar, you might have caught them on your favorite TV show or film (or maybe you laughed your way through her feature on Comedy Central’s Kroll Show). But Marissa’s impact extends beyond her own catalog. In August 2022, she opened The Listening Booth in Lewes, a venue where she champions original music and fosters the kind of creative community she once found in Brooklyn’s indie scene. The stage has already welcomed icons like Jill Sobule, Christine Lavin, and Dar Williams, cementing The Listening Booth as a home for honest, artful storytelling.Marissa Levy is the musician you want to write the soundtrack to your life—equal parts poignant and playful, deeply personal yet undeniably universal. She’s not just fine—she’s unforgettable.

Short bio (100 words):

Marissa Levy is a singer-songwriter from Lewes, Delaware (formerly Brooklyn, NY), known for her big voice, clever lyrics, and irresistibly catchy melodies. Her deeply personal yet relatable songs have earned her airplay and accolades, with albums like 63 Songs About Joe (produced by Mike Viola) and Marissa Levy is Fine showcasing her sharp wit and emotional depth. Her music has appeared on TV and film, including Comedy Central’s Kroll Show. Passionate about promoting original music, Marissa founded The Listening Booth in 2022, hosting artists like Jill Sobule and Dar Williams, cementing her as a vital voice in the indie music scene.